Showing posts with label the Oscars. Show all posts
Showing posts with label the Oscars. Show all posts

Why the Javier Bardem-Josh Brolin Kiss Wasn't Included in the Oscars Telecast

Posted by Shazy on Saturday, March 5, 2011

Why the Javier Bardem-Josh Brolin Kiss Wasn't Included in the Oscars Telecast
On Sunday's ABC telecast of the 83rd Academy Awards, viewers didn't see a quick kiss and dance between presenters Javier Bardem and Josh Brolin -- but it wasn't on purpose.
Despite speculation that the network may have censored the two actors' smooch, Oscar producer Bruce Cohen insists it was because directors had already decided beforehand they would cut away to focus on the audience and Bardem's wife, Oscar winner Penelope Cruz, who recently gave birth. "It [the dance and the kiss] was unscripted, and the plan in the truck was always to cut to Penelope in the audience applauding Josh's and Javier's introduction," Cohen explained in a statement to AfterElton.com, which had originally questioned why the moment didn't make it to the broadcast, noting that the 2006 Oscar telecast included a "Brokeback Mountain" spoof that starred Jon Stewart and George Clooney in bed. (Not to mention that Bardem is from Spain, where kissing is a traditional greeting among close friends.)
"So that is what happened, just as they were starting to dance. Josh and Javier's moment… would have made a great TV moment, but since no one knew it was coming, we cut to the gorgeous Ms. Cruz as planned. By the time, we cut back from her close-up, Josh and Javier were walking to the podium," added Cohen, who didn't see the kiss himself. (Two eyewitnesses from The Hollywood Reporter who were in the audience remarked that it was a fast peck.)
AfterElton.com first speculated that the kiss wasn't shown because of the complaints the network received after "American Idol" runner-up Adam Lambert made out with one of his male dancers while performing at the American Music Awards in November 2009.
Read More: Tv.yahoo
More aboutWhy the Javier Bardem-Josh Brolin Kiss Wasn't Included in the Oscars Telecast

Why the Javier Bardem-Josh Brolin Kiss Wasn't Included in the Oscars Telecast

Posted by Shazy

Why the Javier Bardem-Josh Brolin Kiss Wasn't Included in the Oscars Telecast
On Sunday's ABC telecast of the 83rd Academy Awards, viewers didn't see a quick kiss and dance between presenters Javier Bardem and Josh Brolin -- but it wasn't on purpose.



Despite speculation that the network may have censored the two actors' smooch, Oscar producer Bruce Cohen insists it was because directors had already decided beforehand they would cut away to focus on the audience and Bardem's wife, Oscar winner Penelope Cruz, who recently gave birth.
"It [the dance and the kiss] was unscripted, and the plan in the truck was always to cut to Penelope in the audience applauding Josh's and Javier's introduction," Cohen explained in a statement to AfterElton.com, which had originally questioned why the moment didn't make it to the broadcast, noting that the 2006 Oscar telecast included a "Brokeback Mountain" spoof that starred Jon Stewart and George Clooney in bed. (Not to mention that Bardem is from Spain, where kissing is a traditional greeting among close friends.)
"So that is what happened, just as they were starting to dance. Josh and Javier's moment… would have made a great TV moment, but since no one knew it was coming, we cut to the gorgeous Ms. Cruz as planned. By the time, we cut back from her close-up, Josh and Javier were walking to the podium," added Cohen, who didn't see the kiss himself. (Two eyewitnesses from The Hollywood Reporter who were in the audience remarked that it was a fast peck.)
AfterElton.com first speculated that the kiss wasn't shown because of the complaints the network received after "American Idol" runner-up Adam Lambert made out with one of his male dancers while performing at the American Music Awards in November 2009.
Read More: Tv.yahoo
More aboutWhy the Javier Bardem-Josh Brolin Kiss Wasn't Included in the Oscars Telecast

Oscars 2011: Oscar Winner Christian Bale Onstage and Backstage Notes

Posted by Shazy on Monday, February 28, 2011

Oscars 2011: Oscar Winner Christian Bale Onstage and Backstage Notes

Oscar Winner Christian Bale Onstage and Backstage Notes

HOLLYWOOD, CA (Hollywood Today) 2/27/11 — Christian Bake takes the Oscar for Best Supporting Actor in “The Fighter” Note his acceptance speech “Bloody hell what a whole room full of talented people. The incredible people: Jack, Mark, Vicky and Mickey. I can’t wait to see the Chapter of this.” Bale played Dicky Eklund, a former fighter now managing the career of his younger brother, Micky. This is the first Academy Award nomination for Christian Bale.
The 10th Anniversary issue of “Entertainment Weekly” crowned Christian Bale as one of the “Top 8 Most Powerful Cult Figures” of the past decade, citing his incredible and legendary cult status on the Internet. EW also calls Bale one of the “Most Creative People in Entertainment” after his brilliant turn as the psychopathic yuppie serial killer in American Psycho (2000). And “Premiere” lauded him as one of the “Hottest Leading Men Under 30″.

Backstage he said to the press: “I’ve got a question for you guys, actually. You know, you get up there and you’re giving your speech, and I hope to God that I said Mark and Melissa and Amy and Jack. Did I mention them? I did? Fantastic. All right. Huge relief.”

Q. Every intense part of the play and every intense experience you have teaches you something about yourself, this campaign or whatever you want to call it, up to the Oscars you’ve been maybe more personal than any of us have ever seen you before. What has this intense experience taught you about yourself?
A. It’s just a genuine thing, you know, I’m so flattered when anybody, any person, you know, any one person who walks up to me and says that they were really touched by a performance, I really adore that. I really love hearing that, you know. I mean, what we do becomes so much bigger than ourselves and I appreciate that so much. And I’ve been in China. I just got back the day before yesterday, I’ve not been a part of any of the campaign that’s been going on. And just to get back and then hear people tell me how much it means is just wonderful. That’s what you’re hoping for.

And the only thing, you know, I want to say is that obviously the nominees who were nominated for Best Supporting Actor are just phenomenal actors and incredible. But equally, there’s so many other actors out there who would deserve being up here as well, you know. They’re saying I love motorcycle racing, and I was watching something this morning, and it’s like, hey, that comes down to who’s first up to the line, who was the fastest. This has nothing to do with that. It’s not who’s on pole position, well, that guy decided to go backwards, that guy decided to go back in the stand and drink a Slurpee. That guy went forward. It’s all like, what do you think, you know. What I mean, it’s all just a matter of opinion and so abstract. This is a very bizarre thing. But at the same time, I just can’t help but be touched so dearly by it. You know, people, so many inspirational, talented people decided that I was worthy of this. I just treasure this.

Q. Hi. Congratulations.
A. What are these cards? These are people who are going to get questions?

Q. These are auction numbers.
A. You win something?

Q. A statue. So my question is, you have just won, arguably, the biggest award for this role. Is this your favorite role you’ve ever played as an actor? If not, what is?
A. You know, every single role we do is just sort of a cherished friend. There’s a point that I believe I made in the speech is, I was thanking David O. Russell for communicating our work in a way that it meant something to the audience, and that’s where you’re out of control because you can do something that really rips you apart on the set, but if the director and the editor don’t take it and make it mean something to the audience it ends up as nothing. And I was so fortunate that with David and with Pamela Martin, that they were able to take that and really make it mean something, you know. And so fortunate and it’s resulted in this.

Q. Now that you won the Oscar for this kind of movie, technically does that mean that no more Batman?
A. No. I mean, I’m in the middle of filming a movie in China right now. When I finish the movie in China it’s straight on to Batman. So absolutely, much more Batman.

Q. We all know how much you love acting but you hate dealing with the press. So what have you learned in these last couple months that you have to deal with more and more press leading up to this night?
A. Well, the beautiful thing about it is I’ve been in China for the last month. So I actually haven’t had to deal with any of it, you know, I’ve been out of it. I haven’t been campaigning. And I always felt like, you know, it really has to be the performance that stands by itself and should be merited upon that and if I would have lost, I would have still said the same. I wouldn’t have regretted anything. I would have just applauded whoever won and there’s so many wonderful performances out there.

Q. Reagan Alexander.
A. Love the hat. Been drinking?

Q. Yes.
A. I find myself likewise out in the bar with Dickie and my wife thinking that it was like the other awards where you just walk on in and go out and unfortunately missed Melissa’s acceptance speech because they wouldn’t let me in. I was literally banging on the door with Dickie going, let us in. And they wouldn’t let us in. That was my mistake. I’ll know better if I ever return to the Academy Awards.

Q. So you missed the F bomb?
A. I missed the F bomb. But, you know, I’ve laid down many of them myself before. So I think I know what it was all about.

Q. Do you have a specific spot that you’re going to put this award in your home?
A. I know I’ll get home and my daughter will say, thank you very much, and take that and stick it wherever she wants.

Q. Also, for those of us who fill out the beards, are you going to miss it when you finish filming the film in China?
A. It will actually be shaved off partway through.

Q. Congratulations. Well deserved.
A. Thank you.

Q. I don’t think anybody does a meltdown on film better than you do. And now that you’ve done one that’s chemically enhanced, I got to ask you, what do you think when you see a real life one like Charlie Sheen?
A. Like I said, I’ve been in China. Seriously, it’s been impossible. Just no idea.

Q. I was just wondering, this isn’t the first time that you’ve lost a lot of weight for a role. You did it for RESCUE DAWN. When you accepted to take this role, did you think twice about accepting it because of the physical sacrifice you had to do, and is there any sort of thing that you wouldn’t do to yourself physically at this point in your career?
A. I just like the character and it wasn’t till a little bit later I said, oh, he’s a welterweight, he’s a crack head. How many fat crack heads do you see? Then I realized, that’s what I have to do. So it came later just by that point, you know, like I always say, I saw something and this has always been I didn’t really ever take acting classes. I didn’t go to drama school or anything. I always feel like I’m having to make up for that while other people know where they’re going really and I’m just sort of winging it. I saw something one time, it was Jimi Hendrix, and I just adore the guy’s talent and just raw ability to just communicate through his guitar and I saw something about his fingers just bleeding, just blood dripping off of the strings and I always went, that’s it, that’s it. You know, that inspires me to no end.

So whatever it takes, I feel like I’ll do for a movie. But the thing is, a lot of people see it as a gimmick, and it’s not a gimmick. You know, they say, hey, give a quiet performance, and you can give a quiet performance and lose a lot of weight. Do you know how much it takes do that? So if it’s necessary, I’ll do it, you know. I’m getting a little bit older now. I’m starting to recognize if I do too much, there may be no coming back from it. I don’t have quite that same mentality which I did only a few years back, where I felt I was invincible and it didn’t matter what I did. I was coming through. You know, I have a child now. I just want to really be smart about any other body alterations that I make in the future. I know that too many of them just, you know, there’s only so much your body can take. I’m happy that I’ve done what I’ve done. Who knows. Maybe that will be the last of it. I’ve said that a few times before.

Q. Thank you so much. Congratulations.
A. Thank you so much.
Read More: Hollywoodtoday
More aboutOscars 2011: Oscar Winner Christian Bale Onstage and Backstage Notes

Oscars 2011: Oscar Winner Christian Bale Onstage and Backstage Notes

Posted by Shazy

Oscars 2011: Oscar Winner Christian Bale Onstage and Backstage Notes

Oscar Winner Christian Bale Onstage and Backstage Notes

HOLLYWOOD, CA (Hollywood Today) 2/27/11 — Christian Bake takes the Oscar for Best Supporting Actor in “The Fighter” Note his acceptance speech “Bloody hell what a whole room full of talented people. The incredible people: Jack, Mark, Vicky and Mickey. I can’t wait to see the Chapter of this.” Bale played Dicky Eklund, a former fighter now managing the career of his younger brother, Micky. This is the first Academy Award nomination for Christian Bale.

The 10th Anniversary issue of “Entertainment Weekly” crowned Christian Bale as one of the “Top 8 Most Powerful Cult Figures” of the past decade, citing his incredible and legendary cult status on the Internet. EW also calls Bale one of the “Most Creative People in Entertainment” after his brilliant turn as the psychopathic yuppie serial killer in American Psycho (2000). And “Premiere” lauded him as one of the “Hottest Leading Men Under 30″.

Backstage he said to the press: “I’ve got a question for you guys, actually. You know, you get up there and you’re giving your speech, and I hope to God that I said Mark and Melissa and Amy and Jack. Did I mention them? I did? Fantastic. All right. Huge relief.”

Q. Every intense part of the play and every intense experience you have teaches you something about yourself, this campaign or whatever you want to call it, up to the Oscars you’ve been maybe more personal than any of us have ever seen you before. What has this intense experience taught you about yourself?
A. It’s just a genuine thing, you know, I’m so flattered when anybody, any person, you know, any one person who walks up to me and says that they were really touched by a performance, I really adore that. I really love hearing that, you know. I mean, what we do becomes so much bigger than ourselves and I appreciate that so much. And I’ve been in China. I just got back the day before yesterday, I’ve not been a part of any of the campaign that’s been going on. And just to get back and then hear people tell me how much it means is just wonderful. That’s what you’re hoping for.

And the only thing, you know, I want to say is that obviously the nominees who were nominated for Best Supporting Actor are just phenomenal actors and incredible. But equally, there’s so many other actors out there who would deserve being up here as well, you know. They’re saying I love motorcycle racing, and I was watching something this morning, and it’s like, hey, that comes down to who’s first up to the line, who was the fastest. This has nothing to do with that. It’s not who’s on pole position, well, that guy decided to go backwards, that guy decided to go back in the stand and drink a Slurpee. That guy went forward. It’s all like, what do you think, you know. What I mean, it’s all just a matter of opinion and so abstract. This is a very bizarre thing. But at the same time, I just can’t help but be touched so dearly by it. You know, people, so many inspirational, talented people decided that I was worthy of this. I just treasure this.

Q. Hi. Congratulations.
A. What are these cards? These are people who are going to get questions?

Q. These are auction numbers.
A. You win something?

Q. A statue. So my question is, you have just won, arguably, the biggest award for this role. Is this your favorite role you’ve ever played as an actor? If not, what is?
A. You know, every single role we do is just sort of a cherished friend. There’s a point that I believe I made in the speech is, I was thanking David O. Russell for communicating our work in a way that it meant something to the audience, and that’s where you’re out of control because you can do something that really rips you apart on the set, but if the director and the editor don’t take it and make it mean something to the audience it ends up as nothing. And I was so fortunate that with David and with Pamela Martin, that they were able to take that and really make it mean something, you know. And so fortunate and it’s resulted in this.

Q. Now that you won the Oscar for this kind of movie, technically does that mean that no more Batman?
A. No. I mean, I’m in the middle of filming a movie in China right now. When I finish the movie in China it’s straight on to Batman. So absolutely, much more Batman.

Q. We all know how much you love acting but you hate dealing with the press. So what have you learned in these last couple months that you have to deal with more and more press leading up to this night?
A. Well, the beautiful thing about it is I’ve been in China for the last month. So I actually haven’t had to deal with any of it, you know, I’ve been out of it. I haven’t been campaigning. And I always felt like, you know, it really has to be the performance that stands by itself and should be merited upon that and if I would have lost, I would have still said the same. I wouldn’t have regretted anything. I would have just applauded whoever won and there’s so many wonderful performances out there.

Q. Reagan Alexander.
A. Love the hat. Been drinking?

Q. Yes.
A. I find myself likewise out in the bar with Dickie and my wife thinking that it was like the other awards where you just walk on in and go out and unfortunately missed Melissa’s acceptance speech because they wouldn’t let me in. I was literally banging on the door with Dickie going, let us in. And they wouldn’t let us in. That was my mistake. I’ll know better if I ever return to the Academy Awards.

Q. So you missed the F bomb?
A. I missed the F bomb. But, you know, I’ve laid down many of them myself before. So I think I know what it was all about.

Q. Do you have a specific spot that you’re going to put this award in your home?
A. I know I’ll get home and my daughter will say, thank you very much, and take that and stick it wherever she wants.

Q. Also, for those of us who fill out the beards, are you going to miss it when you finish filming the film in China?
A. It will actually be shaved off partway through.

Q. Congratulations. Well deserved.
A. Thank you.

Q. I don’t think anybody does a meltdown on film better than you do. And now that you’ve done one that’s chemically enhanced, I got to ask you, what do you think when you see a real life one like Charlie Sheen?
A. Like I said, I’ve been in China. Seriously, it’s been impossible. Just no idea.

Q. I was just wondering, this isn’t the first time that you’ve lost a lot of weight for a role. You did it for RESCUE DAWN. When you accepted to take this role, did you think twice about accepting it because of the physical sacrifice you had to do, and is there any sort of thing that you wouldn’t do to yourself physically at this point in your career?
A. I just like the character and it wasn’t till a little bit later I said, oh, he’s a welterweight, he’s a crack head. How many fat crack heads do you see? Then I realized, that’s what I have to do. So it came later just by that point, you know, like I always say, I saw something and this has always been I didn’t really ever take acting classes. I didn’t go to drama school or anything. I always feel like I’m having to make up for that while other people know where they’re going really and I’m just sort of winging it. I saw something one time, it was Jimi Hendrix, and I just adore the guy’s talent and just raw ability to just communicate through his guitar and I saw something about his fingers just bleeding, just blood dripping off of the strings and I always went, that’s it, that’s it. You know, that inspires me to no end.

So whatever it takes, I feel like I’ll do for a movie. But the thing is, a lot of people see it as a gimmick, and it’s not a gimmick. You know, they say, hey, give a quiet performance, and you can give a quiet performance and lose a lot of weight. Do you know how much it takes do that? So if it’s necessary, I’ll do it, you know. I’m getting a little bit older now. I’m starting to recognize if I do too much, there may be no coming back from it. I don’t have quite that same mentality which I did only a few years back, where I felt I was invincible and it didn’t matter what I did. I was coming through. You know, I have a child now. I just want to really be smart about any other body alterations that I make in the future. I know that too many of them just, you know, there’s only so much your body can take. I’m happy that I’ve done what I’ve done. Who knows. Maybe that will be the last of it. I’ve said that a few times before.

Q. Thank you so much. Congratulations.
A. Thank you so much.
Read More: Hollywoodtoday
More aboutOscars 2011: Oscar Winner Christian Bale Onstage and Backstage Notes

Infamous Oscar Fashions

Posted by Shazy on Saturday, February 26, 2011

Infamous Oscar Fashions
Infamous Oscar Fashions
The Academy Awards' red carpet is all about style and sophistication, but in addition to delivering its fair share of glamorous gowns and daring new trends, the arrivals line is notorious for its fashion faux pas. Take a look back at the big-screen stars whose Oscar looks turned into big-time bombs.
 1988: Nearly 20 years before Cher took Sin City by storm, the diva donned this showgirl-inspired Bob Mackie mess of a dress at the 60th Academy Awards.
 2001: Many style mavens consider Bjork’s swan-adorned disaster -- courtesy of Macedonian designer Marjan Pejoski -- to be the biggest fashion faux pas in Oscars history. Do you agree?
 1993: Surprisingly, Whoopi Goldberg was asked to host the 1994 Academy Awards after petrifying everyone the previous year in a purple and neon-green silk jacket and embroidered jumpsuit.
 1999: Canadian chanteuse Celine Dion made a titanic mistake by sporting an ill-fitting backwards John Galliano for Christian Dior suit and matching fedora to the 71st annual fete.
 2001: While the color of the dress Kate Hudson wore to the 73rd Academy Awards was lovely, the overall design was downright dowdy. And don't get us started on that catastrophic coif of hers!
 1989: Demi Moore topped the worst-dressed list at the 61st Academy Awards when she dared to wear a self-designed gaudy gold skirt, bustier, and biker shorts to the all-star soiree.
 2002: Gwyneth Paltrow's alarming look -- which she debuted at the 74th Academy Awards -- featured a childish coif, a shabby skirt, and an unsightly, unsupportive, sheer Alexander McQueen top.
 1992: Not only did Best Actress nominee Geena Davis ("Thelma & Louise") lose to Jodie Foster at the 64th Academy Awards, she also easily lost the red carpet rumble thanks to her mullet-like monstrosity.
 2004: Diane Keaton took her love of menswear a tad too far in ’04 in this Ralph Lauren Collection suit, which she paired with a pinstripe vest, polka dot tie, bowler, and boutonniere.
 2002: Country cutie Faith Hill looked far from tasty in the tacky, snow cone-colored creation she unveiled in 2002 at the 74th Academy Awards.
 2000: She may have taken home an Oscar on March 26, 2000, for her powerful role in "Girl, Interrupted," but that night Angelina Jolie didn't take home any awards for her gothic, Elvira-esque Versace ensemble.
2004: Uma Thurman looked more prepared to serve up some smoked turkey legs at a Renaissance faire than to walk the red carpet at the 76th Academy Awards in her frumpy, lace-and-satin Christian LaCroix frock.
 1991: Before Nicole Kidman became a fashionable red carpet favorite, the Aussie actress -- who attended the 63rd Academy Awards with her then-husband Tom Cruise -- was known to overindulge in atrocious trends such as velvet mini dresses and gigantic sequined belts.
 2002: Eight years ago, "A Beautiful Mind" star and Best Supporting Actress winner Jennifer Connelly looked anything but beautiful in a beige Balenciaga bomb and ragged peach scarf.
 1990: Kim Basinger has never been a style standout, but she certainly stood out (in a bad way!) at the 62nd annual ceremony in a self-designed, Disney-like debacle and layers of troubled tresses.
 2000: "Top Model" hostess with the mostest Tyra Banks wasn't runway or red carpet-ready at the 72nd spectacle in a chintzy-looking Vera Wang prom bomb.
 1995: Sharon Stone resembled an unfortunate Hershey's Kiss at the 67th Oscars in an unfashionable, foil-like Valentino frock.
 1999: A few years before she asked Carolina Herrera to become her go-to dress designer, Renee Zellweger donned this doily-enhanced eyesore to the 71st Academy Awards.
 2007: The color of the custom-made Oscar de la Renta dress Jennifer Hudson wore to the '07 soiree was spot on, but the metallic bolero Vogue Contributing Editor Andre Leon Talley demanded she don was disastrous.
2005: Cane? Check. Cast? Check. A desperate-for-attention Melanie Griffith embarrassing herself at the 77th Academy Awards in a shoulder-baring Versace dress? Check!
Read More: Yahoo
More aboutInfamous Oscar Fashions

Infamous Oscar Fashions

Posted by Shazy

Infamous Oscar Fashions
Infamous Oscar Fashions
The Academy Awards' red carpet is all about style and sophistication, but in addition to delivering its fair share of glamorous gowns and daring new trends, the arrivals line is notorious for its fashion faux pas. Take a look back at the big-screen stars whose Oscar looks turned into big-time bombs.

 1988: Nearly 20 years before Cher took Sin City by storm, the diva donned this showgirl-inspired Bob Mackie mess of a dress at the 60th Academy Awards.
 2001: Many style mavens consider Bjork’s swan-adorned disaster -- courtesy of Macedonian designer Marjan Pejoski -- to be the biggest fashion faux pas in Oscars history. Do you agree?
 1993: Surprisingly, Whoopi Goldberg was asked to host the 1994 Academy Awards after petrifying everyone the previous year in a purple and neon-green silk jacket and embroidered jumpsuit.
 1999: Canadian chanteuse Celine Dion made a titanic mistake by sporting an ill-fitting backwards John Galliano for Christian Dior suit and matching fedora to the 71st annual fete.
 2001: While the color of the dress Kate Hudson wore to the 73rd Academy Awards was lovely, the overall design was downright dowdy. And don't get us started on that catastrophic coif of hers!
 1989: Demi Moore topped the worst-dressed list at the 61st Academy Awards when she dared to wear a self-designed gaudy gold skirt, bustier, and biker shorts to the all-star soiree.
 2002: Gwyneth Paltrow's alarming look -- which she debuted at the 74th Academy Awards -- featured a childish coif, a shabby skirt, and an unsightly, unsupportive, sheer Alexander McQueen top.
 1992: Not only did Best Actress nominee Geena Davis ("Thelma & Louise") lose to Jodie Foster at the 64th Academy Awards, she also easily lost the red carpet rumble thanks to her mullet-like monstrosity.
 2004: Diane Keaton took her love of menswear a tad too far in ’04 in this Ralph Lauren Collection suit, which she paired with a pinstripe vest, polka dot tie, bowler, and boutonniere.
 2002: Country cutie Faith Hill looked far from tasty in the tacky, snow cone-colored creation she unveiled in 2002 at the 74th Academy Awards.
 2000: She may have taken home an Oscar on March 26, 2000, for her powerful role in "Girl, Interrupted," but that night Angelina Jolie didn't take home any awards for her gothic, Elvira-esque Versace ensemble.
2004: Uma Thurman looked more prepared to serve up some smoked turkey legs at a Renaissance faire than to walk the red carpet at the 76th Academy Awards in her frumpy, lace-and-satin Christian LaCroix frock.
 1991: Before Nicole Kidman became a fashionable red carpet favorite, the Aussie actress -- who attended the 63rd Academy Awards with her then-husband Tom Cruise -- was known to overindulge in atrocious trends such as velvet mini dresses and gigantic sequined belts.
 2002: Eight years ago, "A Beautiful Mind" star and Best Supporting Actress winner Jennifer Connelly looked anything but beautiful in a beige Balenciaga bomb and ragged peach scarf.
 1990: Kim Basinger has never been a style standout, but she certainly stood out (in a bad way!) at the 62nd annual ceremony in a self-designed, Disney-like debacle and layers of troubled tresses.
 2000: "Top Model" hostess with the mostest Tyra Banks wasn't runway or red carpet-ready at the 72nd spectacle in a chintzy-looking Vera Wang prom bomb.
 1995: Sharon Stone resembled an unfortunate Hershey's Kiss at the 67th Oscars in an unfashionable, foil-like Valentino frock.
 1999: A few years before she asked Carolina Herrera to become her go-to dress designer, Renee Zellweger donned this doily-enhanced eyesore to the 71st Academy Awards.
 2007: The color of the custom-made Oscar de la Renta dress Jennifer Hudson wore to the '07 soiree was spot on, but the metallic bolero Vogue Contributing Editor Andre Leon Talley demanded she don was disastrous.
2005: Cane? Check. Cast? Check. A desperate-for-attention Melanie Griffith embarrassing herself at the 77th Academy Awards in a shoulder-baring Versace dress? Check!
Read More: Yahoo
More aboutInfamous Oscar Fashions

10 Most Bizarre Oscar Moments

Posted by Shazy on Friday, February 25, 2011

10 Most Bizarre Oscar Moments

10 Most Bizarre Oscar Moments

The Academy Awards are, for the most part, an elegant and tightly controlled affair. But wacky things can and do happen sometimes -- and those are the moments viewers remember the most.
Since the Oscars are on Sunday and since there are now 10 best-picture nominees, we've decided to double the weekly Five Most list with a look at the 10 most bizarre moments in the show's history. So here they are, in no particular order -- because really, it's an honor just to be nominated:
The "South Park" guys show up in drag (2000)

The "South Park" guys show up in drag (2000): Trey Parker and Matt Stone arrived to support the feature film version of their animated series, "South Park: Bigger, Longer & Uncut," which earned Parker and Marc Shaiman an original-song nomination for the jaunty "Blame Canada." But they couldn't just wear tuxes like everyone else. Since they've made a career out of skewering celebrities, Stone donned a replica of the pink gown Gwyneth Paltrow wore a year earlier when she won best actress for "Shakespeare in Love," while Parker wore a knock-off of the plunging green Versace number Jennifer Lopez famously filled out at the Grammys. So much chest hair ... and so hilarious.
The streaker (1974)
 The streaker (1974): Just as host David Niven was about to introduce Elizabeth Taylor, a naked man came running across the stage behind him, flashing a peace sign. (It was the '70s.) The whole place naturally went wild with laughter, but Niven, being the epitome of British class and cool, didn't miss a beat. He deadpanned: "Well, ladies and gentlemen, that was almost bound to happen. But isn't it fascinating to think that probably the only laugh that man will ever get in his life is by stripping off and showing his shortcomings?"
Marlon Brando sends Sacheen Littlefeather on stage (1973)
 Marlon Brando sends Sacheen Littlefeather on stage (1973): Brando won best actor for his iconic portrayal of Don Corleone in "The Godfather." But he refused to accept the award, and instead sent a woman who said she was an Apache named Sacheen Littlefeather to speak on his behalf. Brando was protesting what he believed to be stereotypical treatment of Native Americans in the film industry. Littlefeather's speech drew a mixture of applause and boos, as well as questions about whether she was truly a Native American herself.
Rob Lowe's duet with Snow White (1989)
 Rob Lowe's duet with Snow White (1989): Allan Carr injected an element of high camp when he took over as producer of the Academy Awards. He was, after all, the man behind such splashy movie musicals as "Grease" and "Can't Stop the Music," and he won a Tony for the Broadway hit "La Cage aux Folles." But his Oscar ceremony is considered one of the biggest flops in the show's history. It included a 20-minute opening dance number with a squeaky-voiced Snow White-lookalike singing "Proud Mary" with Lowe, who was just getting over a lewd videotape scandal. Just try and watch it without cringing.
Bjork's swan dress (2001)
 Bjork's swan dress (2001): Being notoriously daring and different as she is, Bjork dazzled and bedeviled everyone when she showed up at the planet's most-watched red carpet in a white, fluffy gown with a swan's head draped around her neck. (The Icelandic singer and actress was nominated for best original song for "I've Seen It All" from Lars von Trier's "Dancer in the Dark.") It is arguably the most famous outfit ever worn to the Oscars. It inspired many a Halloween costume.
Jack Palance's one-armed push-ups (1992)
 Jack Palance's one-armed push-ups (1992): Palance already had been nominated for an Oscar twice before, both for best supporting actor, for 1952's "Sudden Fear" and 1953's "Shane." Four decades later, when he finally won the award for the comedy "City Slickers," he proved he was just as virile as ever at 72. In the middle of a raunchy acceptance speech, in which he was explaining how reluctant producers can be to cast older actors, Palance stepped away from the podium, dropped to the stage and did a series of one-armed push-ups. Who wouldn't hire him?
Roberto Benigni's seat climbing (1999)
 Roberto Benigni's seat climbing (1999): Speaking of acrobatics, there's Benigni. Ever the clown, the Italian actor and director couldn't just walk up on stage and give humble, teary-eyed thanks when his "Life Is Beautiful" won the Oscar for best foreign-language film. Instead, he leaped from one seat back to another, whipping the audience into a frenzy, before hopping up the steps and giving presenter Sophia Loren a long, tight bear hug. ("Life Is Beautiful" also earned a best-actor Oscar for Benigni and one for its original score.)
"Ordinary People" beats "Raging Bull" for best picture (1981)
 "Ordinary People" beats "Raging Bull" for best picture (1981): Not so much a wacky moment but a befuddling one. How could the Academy get this one so wrong? In retrospect, Martin Scorsese's "Raging Bull" emerges as a small masterpiece, intimately powerful in black and white, gorgeous -- even its brutal violence. "Ordinary People," Robert Redford's directing debut, feels like a respectable and well-made if austere family drama. But that's not as bad as ...
"Dances With Wolves" beats "Goodfellas" for best picture (1991)
 "Dances With Wolves" beats "Goodfellas" for best picture (1991): Ten years later, the Academy gets it wrong again, and Scorsese is on the losing end again. Sure, Kevin Costner's "Dances With Wolves" is a sweeping epic, visually impressive in its enormity, but looking back it feels condescending and a little corny. "Goodfellas," meanwhile, is an example of Scorsese's virtuoso filmmaking at its finest -- funny, brash, evocative and always riveting. Scorsese eventually got his due, though, with Oscars for best picture and director for 2006's "The Departed."
You like Sally Field (1985)
 You like Sally Field (1985): "Places in the Heart" earned Field her second best-actress Oscar -- the first came for 1979's "Norma Rae" -- but this one meant more to her, she said in her acceptance speech as she clutched the golden statue, giddy and beaming. This time, she said she finally felt the respect of her peers: "I can't deny the fact that you like me. Right now, you like me!" It's a line that would be endlessly parodied -- and misquoted.
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